Most great designers have chairs which in some way define them – Le Corbusier, the Eames, Mies van der Rohe, Eileen Gray. These chairs are, in their own way, elegant and practical; they have a certain cachet. By contrast, Enzo Mari, who is currently the subject of a retrospective at the Design Museum, has the Sedia P (‘Chair P’). It’s a lumpy, unsubtle, seemingly naive design. If a child were to…
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