From the January 2024 issue of Apollo. Preview and subscribe here. In the two hours I spend at Sammy Baloji’s studio in Brussels, the table we are sitting at accumulates a small library of books and a Wunderkammer of objects. Every ten minutes, Baloji rises from his chair to search for another visual aid to support the point he is making: from 1970s monographs on the art of the Congo Delta to
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