Language is slippery, and for an exhibition of visual art, the 60th Venice Biennale is unusually preoccupied with the stuff. Helmed this year by the Brazilian curator Adriano Pedrosa, the central exhibition borrows its title from a neon text work by Claire Fontaine: Foreigners Everywhere (2004–). Of British origin and currently based in Palermo, Claire Fontaine is not a person but a collective…
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