If you were fortunate enough to visit the Berlin Biennale in 2022, you might have spent some quiet moments in awe of one installation in particular. A cone-shaped wire spiral, several metres high, suspended in the air and pointing downwards, was beaded from top to bottom with small pieces of stoneware, earthenware and white and terracotta porcelain. Taloi Havini’s Beroana (2015) is an evocation of
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